The Time Machine, by H. G. Wells
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The Time Machine, by H. G. Wells
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H.G. Wells best-selling classic THE TIME MACHINE.
The Time Machine, by H. G. Wells- Amazon Sales Rank: #259556 in Books
- Published on: 2015-11-24
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .26" w x 5.50" l, .32 pounds
- Binding: Paperback
- 104 pages
From School Library Journal Grade 7 Up-H.G. Welles' classic begins at an English dinner party where a group of gentlemen are discussing the device that one of them is making so he can explore the fourth dimension. No one is identified by name but when the men gather the following week, the device's inventor, referred to as Time Traveler, is strangely absent. When he arrives later, he recounts his amazing sojourn into the future. Most of this 1895 novella deals with Time Traveler's stay in a world where dark forces lurk behind an idyllic exterior. After narrowly escaping from a forest fire and hostile creatures, Time Traveler uses his invention to investigate other time periods before returning to share his story with his friends. Despite the fact that he has returned with never-before-seen flowers, most of his companions do not believe him. When one of the dinner guests stops by Time Traveler's home a few days later, he is the last one to see the inventor before he and his Time Machine disappear. Ralph Cosham narrates this science fiction standard bearer with a controlled intensity that gives the story the feel of a modern drama. Add to that Welles' ability to predict some contemporary scenarios, and this recording will interest 21st century listeners. With a sturdy case and continual tracking every three minutes, this production will be a useful addition to school and public libraries that want to add classics to their science fiction holdings.Barbara Wysocki, Cora J. Belden Library. Rocky Hill, CTCopyright 2002 Reed Business Information, Inc.
Review First novel by H.G. Wells, published in book form in 1895. The novel is considered one of the earliest works of science fiction and the progenitor of the "time travel" subgenre. Wells advanced his social and political ideas in this narrative of a nameless Time Traveller who is hurtled into the year 802,701 by his elaborate ivory, crystal, and brass contraption. The world he finds is peopled by two races: the decadent Eloi, fluttery and useless, are dependent for food, clothing, and shelter on the simian subterranean Morlocks, who prey on them. The two races--whose names are borrowed from the Biblical Eli and Moloch--symbolize Wells's vision of the eventual result of unchecked capitalism: a neurasthenic upper class that would eventually be devoured by a proletariat driven to the depths. --The Merriam-Webster Encyclopedia of Literature"This is undoubtedly the definitive edition of H.G. Wells s masterpiece, as fresh today in its imaginative power as the day it was written; but here refreshed by excellent introduction, notes and a comprehensive collection of appendices by Wells s contemporaries. The method could not be bettered." (Brian W. Aldiss, author of the Helliconia trilogy; Billion Year Spree: A History of Science Fiction and, most recently, White Mars: or, the Mind Set Free: A 21st-Century Utopia )"This is an invaluable edition of a text with a crucial role in modern culture. Wielding his meticulous scholarship and wide-ranging knowledge, Ruddick produces a splendid introduction and a rich selection of contextual materials." (H. Bruce Franklin, author or War Stars: The Superweapon and the American Imagination and Future Perfect: American Science Fiction of the Nineteenth Century )"Ruddick offers a wide-ranging and stimulating Introduction to this generously documented edition of one of the great source texts of modern science fiction. General readers, students, and scholars will all be grateful for the comprehensive appendices, which provide a full selection of the scientific, philosophical, and cultural contexts out of which The Time Machine first emerged. This should be the scholarly edition for some time to come." (Douglas Barbour )"The structure of Ruddick's book makes the complexity of The Time Machine easy to map, while the critical materials provide a basis for deep and detailed study. The impressive scholarship included ensures that it will remain a useful resource for teachers, essential for libraries and especially suitable for students or newcomers to Wells' canon." (Journal of the Fantastic in the Arts ) --Journal of the Fantastic in the Arts"Ruddick offers a wide-ranging and stimulating Introduction to this generously documented edition of one of the great source texts of modern science fiction. General readers, students, and scholars will all be grateful for the comprehensive appendices, which provide a full selection of the scientific, philosophical, and cultural contexts out of which The Time Machine first emerged. This should be the scholarly edition for some time to come." (Douglas Barbour ) --Douglas Barbour"The structure of Ruddick's book makes the complexity of The Time Machine easy to map, while the critical materials provide a basis for deep and detailed study. The impressive scholarship included ensures that it will remain a useful resource for teachers, essential for libraries and especially suitable for students or newcomers to Wells' canon." (Journal of the Fantastic in the Arts ) --Journal of the Fantastic in the Arts
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92 of 96 people found the following review helpful. One of the greatest books I've ever read--get this edition! By Polymath When I tried reading this book as a child many, many years ago, some of the "big" words and allusions made it hard going, and I never completed it then. Finally, about fifteen years ago I did read it through, but still was missing something. Then, a few weeks ago, I got this edition, after having enjoyed the Penguin edition of "The War of the Worlds" with its annotations and map. Well, the annotations in this edition (about four pages worth as endnotes) of "The Time Machine" cleared away whatever fuzz remained, and I was completely overcome by the greatness of the book, great from whatever way I looked at it: plot, speculation, characters, "sense of wonder", even throw away humor were all topnotch. I couldn't believe what I'd been missing. A few days later, I read another editon of the book that didn't have notes, and had no trouble following that version. I plan to reread the book again shortly. So if you've had difficulty reading "The Time Machine" for some of the reasons mentioned above, get this version pronto and find out what a true classic is.
141 of 153 people found the following review helpful. A Timeless Classic By Daniel Jolley It goes without saying that this book is a science fiction classic in every sense of the word and that H.G. Wells was a founding father of the genre. This book proves that science fiction does not necessarily need to be heavily technical but does need to deal with grand themes such as the nature of society; man's hopes, dreams, and fears; and the very humanity of man. Wells does not go to great lengths in describing the time machine nor how it works. He lays the foundation of the story in science and then proceeds with his somewhat moralistic and certainly socially conscious story. This makes his writing much more enjoyable than that of a Jules Verne, who liked to fill up pages with scientific and highly technical nomenclature. One of the more striking aspects of the novel is Wells' treatment of the actual experience of time travel--moving in time is not like opening and walking through a door. There are physical and emotional aspects of the time travel process--in fact, some of the most descriptive passages in the book are those describing what the Time Traveler experiences and sees during his time shifts.Basically, Wells is posing the question of What will man be like in the distant future? His answer is quite unlike any kind of scenario that modern readers, schooled on Star Wars, Star Trek, and the like, would come up with. He gives birth to a simple and tragic society made up of the Eloi and the Morlocks. In contrasting these two groups, he offers a critique of sorts of men in his own time. Clearly, he is worried about the gap between the rich and the poor widening in his own world and is warning his readers of the dangers posed by such a growing rift. It is most interesting to see how the Time Traveler's views of the future change over the course of his stay there. At first, he basically thinks that the Morlocks, stuck underground, have been forced to do all the work of man while the Eloi on the surface play and dance around in perpetual leisure. Later, he realizes that the truth is more complicated than that. The whole book seems to be a warning against scientific omniscience and communal living. The future human society that the Time Traveler finds is supposedly ideal--free of disease, wars, discrimination, intensive labor, poverty, etc. However, the great works of man have been lost--architectural, scientific, philosophical, literary, etc.--and human beings have basically become children, each one dressing, looking, and acting the same. The time traveler opines that the loss of conflict and change that came in the wake of society's elimination of health, political, and social issues served to stagnate mankind. Without conflict, there is no achievement, and mankind atrophies both mentally and physically.This basic message of the novel is more than applicable today. While it is paramount that we continue to research and discover new scientific facts about ourselves and the world, we must not come to view science as a religion that can ultimately recreate the earth as an immense garden of Eden. Knowledge itself is far less important than the healthy pursuit of that knowledge. Man's greatness lies in his ability to adapt to unforeseen circumstances. Speaking only for myself, I think this novel points out the dangerousness of Communism and points to the importance of individualism--if you engineer a society in which every person is "the same" and "equal," then you have doomed that society.
45 of 47 people found the following review helpful. Past and present masterpiece By Philip Challinor This is the little number that started it all. For the English-speaking world (some translations of Verne possibly aside), science fiction begins with the four brief, brilliant novels published by H G Wells in the 1890s. The War of the Worlds is a still-unsurpassed alien invasion story; The Invisible Man one of the first world-dominating mad scientist tales; and The Island of Dr Moreau a splendidly misanthropic story of artificial evolution and genetic modification. But The Time Machine came first, launching Wells' career in literature; and, after just over a century, there still isn't anything nearly like it. A Victorian inventor travels to the year 802701, where the class divisions of Wells' day have evolved two distinct human races: the helpless, childlike and luxurious Eloi and the monstrous, mechanically adept and subterranean Morlocks. Predictably, the film version turned them into the usual Good Guys and Bad Guys, though it's still worth seeing, particularly for its conception of the Time Machine itself - a splendid piece of Victorian gadgetry. The book, despite its sociological-satirical premise, is rather more complex in its treatment of the opposed races, and the Time Traveller's voyage ends, not with them, but still further in the future, with images of a dead sun and a dark earth populated only by scuttling, indefinite shadows. As in the other three novels, too, the premise of the story is carefully worked out and clearly explained - a discipline largely beyond science fiction today, in which time travel, invading aliens or whatever are simply taken for granted as convenient genre props and automatic thought-nullifiers. After more than a century, The Time Machine is still waiting for the rest of us to catch up.
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