The Critical Nexus: Tone-System, Mode, and Notation in Early Medieval Music (AMS Studies in Music), by Charles M. Atkinson
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The Critical Nexus: Tone-System, Mode, and Notation in Early Medieval Music (AMS Studies in Music), by Charles M. Atkinson
Ebook PDF The Critical Nexus: Tone-System, Mode, and Notation in Early Medieval Music (AMS Studies in Music), by Charles M. Atkinson
The Critical Nexus confronts an important and vexing enigma of early writings on music: why chant, which was understood to be divinely inspired, needed to be altered in order to work within the then-operative modal system. To unravel this mystery, Charles Atkinson creates a broad framework that moves from Greek harmonic theory to the various stages in the transmission of Roman chant, citing numerous music treatises from the sixth to the twelfth century. Out of this examination emerges the central point behind the problem: the tone-system advocated by writers coming from the Greek harmonic tradition was not suited to the notation of chant and that this basic incompatibility led to the creation of new theoretical constructs. By tracing the path of subsequent adaptation at the nexus of tone-system, mode, and notation, Atkinson promises new and far-reaching insights into what mode meant to the medieval musician and how the system responded to its inherent limitations. Through a detailed examination of the major musical treatises from the sixth through the twelfth centuries, this text establishes a central dichotomy between classical harmonic theory and the practices of the Christian church. Atkinson builds the foundation for a broad and original reinterpretation of the modal system and how it relates to melody, grammar, and notation. This book will be of interest to all musicologists, music theorists working on mode, early music specialists, chant scholars, and medievalists interested in music.
The Critical Nexus: Tone-System, Mode, and Notation in Early Medieval Music (AMS Studies in Music), by Charles M. Atkinson- Amazon Sales Rank: #1907828 in Books
- Published on: 2015-11-01
- Original language: English
- Number of items: 1
- Dimensions: 6.10" h x .80" w x 9.10" l, .0 pounds
- Binding: Paperback
- 322 pages
Review "The Critical Nexus is a milestone in every respect, which appeals to specialists and novices alike. It deserves to be ranked among the classic studies on the subject and will be of lasting value to anybody interested in the formation of music thought in the Middle Ages." --Fontes Artis Musicae"The Critical Nexus will become required reading for musicologists, music theorists, and medievalists interested in the reception of ancient texts." --Speculum"A meticulously researched survey of early medieval theory and its application to plainsong, it will form the starting point for future research in the field." --James Grier, Professor of Music History, University of Western Ontario"A comprehensive study, fine-tuning our understanding of the challenges faced by medieval theorists as they adopted terminology and concepts from Antiquity to make sense of the music of their own time - the chant repertory of the Christian church. Professor Atkinson brings a unique perspective to this history of tone-system, mode, and notation through his command of Greek and Latin text sources, combined with his forage into the chant repertory itself. The scholarly community will prize this contribution for years to come." --Dolores Pesce, Professor of Music, Washington University in St. Louis"In this meticulous examination of the texts on music that were the most widely read from the ninth to the eleventh century, Charles Atkinson reveals how medieval theorist musicians reinterpreted the tone systems of ancient Greece and the writings of Latin grammarians to explain and notate the new practice of plainchant. His elegant and remarkably lucid argument is the crowning achievement of decades of scholarship: it not only explains early medieval tonality but resolves the longstanding problem of the derivation of the earliest Carolingian notations. It truly transforms our understanding of medieval music. Every musician and medievalist will benefit from reading it." --Barbara Haggh-Huglo, Professor of Music, University of Maryland, College Park"This important book is of a kind to stimulate one's thoughts about the inherent nature of medieval chant and to provoke discussions about contested issues; above all, however, it presents in al its wealth of detail the evidence for the remarkable story of the earliest developments in the history of Western art music." --Music and Letters"All readers, regardless of their level of specialization, will find their understanding both broadened and deepened. To be sure, this is a work that merits to become a classic, that deserves to be read and reread, studied and discussed among students and scholars time and again, and is therefore highly recommended to all musicologists and libraries." --Notes
About the Author Active as both clarinetist and musicologist, Charles M. Atkinson is a scholar whose work is devoted primarily to music within the intellectual history of Antiquity and the Middle Ages. His areas of research and publication range from ancient Greek conceptions of tónos to medieval liturgy and music to the early history of American jazz. He is Professor of Musicology at The Ohio State University and President of the American Musicological Society.
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Most helpful customer reviews
12 of 12 people found the following review helpful. Too technical for whom? By ad modum Ytalicorum I'll leave critical assessments of the book to others better suited to the task (though Atkinson's work is always first rate). As for the assertion that it is too technical, I would point out that it concerns a highly technical subject and is written first and foremost for specialists on medieval music and music theory. This does not preclude non-specialists from making good use of the book, but to give the book a low rating simply because one as a reader does not have sufficient background knowledge to read the book hardly seems fair to the author or to other potential readers of the book. (On those grounds, I would have to give Einstein's _Relativity_ a low rating.)In any event, there are other texts that address the matter of Greek modes of Antiquity, which were effectively moribund centuries before their resurrection by the Carolingians. A more rewarding approach might be to look to sources that treat the Greek modes directly rather than one that explores their rediscovery and refashioning for an entirely unrelated system of music. Clause Palisca's article "Mode" in New Grove is a good choice if you have access to it (though it suffers a bit from an over-reliance on Ptolemy's composite rendering of earlier traditions of modal theory). Also valuable is Tom Mathiesen's article "Greek Music Theory" in The Cambridge History of Western Music Theory (The Cambridge History of Music) (which, coupled with Calvin Bower's subsequent essay, would likely provide sufficient foundation to engage Atkinson's book). Slogging through Boethius's _De musica_ (Fundamentals of Music: Anicius Manlius Severinus Boethius (Music Theory Translation Series)) might also be a worthwhile exercise, especially since the Carolingians relied heavily on it (though without fully understanding it--but then it's not an easy text).For more extensive treatments, you might consider various texts by Andrew Barker (for example, The Science of Harmonics in Classical Greece) and Martin West (Ancient Greek Music (Clarendon Paperbacks)), as well as Mathiesen's Apollo's Lyre: Greek Music and Music Theory in Antiquity and the Middle Ages, which itself is quite technical and challenging (not to mention controversial) in many respects but is well worth the effort, especially if read as a sort of running commentary alongside some of the more prominent texts he treats (as a stand-alone text, it presents difficulties to the non-specialist, but these can be overcome with patience--still, it's better to have the original sources at hand, and his "Greek Music Theory" essay makes good preparatory reading).
1 of 36 people found the following review helpful. too technical By Ronald W. Johnson I was hoping for a book clarifying the ancient Greek musical modes, but this isn't it; this book assumes an existing expertise in music theory. Also, the illustrations (of tables) are too small to be read on a Kindle-2.
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